
TWO BOYS
The Independent - Review
The Express - Review
Musical Criticism - Review
Daily Mail - Review
The Daily Telegraph - Interview with Nico Muhly
The Independent - Interview with Nico Muhly and Craig Lucas
The Guardian - Interview with Nico Muhly
SIMON BOCCANEGRA
The Independent - Review
Evening Standard - Review
The Guardian - Review
Music OMH - Review
A MIDSUMMER NIGHT'S DREAM
Opera Now - Interview with Iestyn Davies
Time Out - Interview with Iestyn Davies
The Times - Interview with Willard White
The Independent - Review
Daily Telegraph - Review
Evening Standard - Review
Finacial Times - Review
The Guardian - Review
THE DAMNATION OF FAUST
The Independent - Review
The Independent - Review
The Sunday Express - Review
The Times - Review
The Evening Standard - Review
Financial Times - Review
The Guardian - Review
The Daily Telegraph - Review
The Sunday Times - Interview with Terry Gilliam
The Daily Telegraph - Interview with Terry Gilliam
Guardian.co.uk - Interview with Terry Gilliam
BBC Radio 3 - Interview with Terry Gilliam
Telegraph.co.uk - Interview with Terry Gilliam
BBC Radio 4 Desert Island Discs - Interview with Terry Gilliam
THE RETURN OF ULYSSES
Sunday Times - Review
The Times - Review
The Daily Telegraph - Review
The Independent - Review
The Wall Street Journal - Review
THE MIKADO
Mail on Sunday - Review
Sunday Express - Review
The Guardian - Review
The Independent - Review
The Independent - Feature
Time Out - Review
PARSIFAL
Metro - Review
The Times - Interview with Stuart Skelton
The Times - Review
Evening Standard - Review
Financial Times - Review
The Daily Telegraph - Review
The Independent - Review
LUCREZIA BORGIA
Classical Music - Interview with Claire Rutter
The Spectator - Interview withy Mike Figgis
Daily Telegraph - Review
Financial Times - Review
The Guardian - Review
The Independent - Review
A DOG'S HEART
Classical fm Magazine - Interview with John Berry
Time Out - Interview with Alexander Raskatov
Musical Opinion - Review
The Times - Review
The Independent - Review
Financial Times - Review
The Independent - Feature
Evening Standard - Review
DON GIOVANNI
MusicOMH - Review
The Guardian - Review
The Wall Street Journal - Review
The Sunday Telegraph - Review
The Times - Interview with Rufus Norris
LA BOHEME
The Times - Review
Mail on Sunday - Review
The Arts Desk - Review
Guardian.co.uk - Review
RADAMISTO
The Times - Interview with Lawrence Zazzo
Independent.co.uk - Review
Guardian.co.uk - Review
Telegraph.co.uk - Review
THE MAKROPULOS CASE
The Sunday Times -Interview with Amanda Roocroft
Telegraph.co.uk - Review
Guardian.co.uk - Review
Financial Times - Review
FAUST
Time Out - Interview with Toby Spence
Telegraph.co.uk - Review
The Times - Review
Spectator.co.uk John Berry: The art of risk-taking
Telegraph.co.uk We're all fans of ENO now
THE DUCHESS OF MALFI
The Times - Review
The Independent - Review
The Arts Desk - Review
Time Out - Interview with Torsten Rasch
The Times The Duchess of Malfi interview with artistic team
Guardian.co.uk Review of Tosca
Telegraph.co.uk Review of Tosca
Financial Times Interview with director Catherine Malfitano
Wall Street Journal Review of The Pearl Fishers
The Daily Mail Review of The Pearl Fishers
Guardian.co.uk Interview with director Penny Woolcock
Telegraph.co.uk: ENO's Forthcoming season could be a Knockout
Guardian.co.uk: Terry Gilliam, Mike Figgis make opera debuts at ENO
Theatermania.com: Terry Gilliam, Des McAnuff, Simon McBurney, Bartlett Sher to Direct for English National Opera's 2010-2011 Season
Timesonline.co.uk: English National Opera announces a new partnership with Bayerisch Staatsoper in Munich
Guardian.co.uk: ENO joins pioneering theatre company for East End opera
Whatsonstage.com: ENO’s Artistic Director John Berry talks to Simon Thomas about ENO’s 2009/10 Season
International Herald Tribune: A Season for Theatre Directors at English National Opera
Evening Standard: ENO’s Music Director Edward Gardner talks to Richard Godwin (May 2009)
The Independent on Sunday: Edward Gardner talks to Michael Church (July 2009)
Financial Times: The FT showcases ENO’s co-production with the Metropolitan Opera, New York, in an article on new models being developed by arts organisations
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