The story you know and love
Based on the 1946 film by Frank Capra, return to the sleepy town of Bedford Falls, where banker George Bailey has fallen on tough times. With his company potentially on the brink of collapse, George is ready to end it all, and has a bridge in mind.
When he arrives though, he’s met by a guardian angel, in the literal sense. Confronted with the positive impact he’s had on his hometown, suddenly George is aware of just how much good he’s done in his life: and maybe, just maybe, life would be a little less wonderful without him in it.
Jake Heggie’s adaptation flips the script (in certain respects)
Unlike its film counterpart, the operatic version of It’s a Wonderful Life has a few differences, most key of which is Clarence becoming Clara, the angel assigned to the protagonist of our tale. This gender-swap to a soprano role was played by Danielle de Niese in the ENO production, set to bring an angelic voice to our Angel Second-Class
Despite this, Heggie and librettist Gene Scheer’s version is remarkably faithful to the beloved movie, making for a nostalgic trip to Bedford Falls as you’ve never had before.
From the mind of one of modern America’s finest composers
Contemporary composer Jake Heggie is known as one of modern opera’s most exciting composers, with a beloved opera Dead Man Walking being perhaps foremost in his output, focussing on the story of Sister Helen Prejean, a nun who spiritually supports a convicted killer as he awaits execution on death row.
Describing himself was a composer who is concerned with ‘exploring character’, it’s clear why the nuanced tale of George Bailey appealed to Heggie, wherein the banker’s emotional turmoil is at the heart of the plot, and key to the music.