Frank Matcham: best known theatres

The nineteenth century was that of a tumultuous one for theatres in the UK.

Up until 1843 the Licensing Act meant that only patent theatres were able to perform drama (the only form of “legitimate” theatre at the time). Once the new Theatres Act had removed the patent, the Lord Chamberlain was able to grant a theatre licence to anyone he thought suitable. Although this encouraged the building of new theatres around the country, smaller theatres who relied on the profits of selling alcohol were forced to close, since the new Act forbade the consumption of alcohol in the building.

In this time the music hall flourished, a venue that could in fact sell alcohol to its patrons. Built in less affluent areas, music halls, such as Wilton’s in London, brought theatre and entertainment to the working class.

Interest in the arts grew in the middle of the 19th century. In a bid to win over middle classes again, the new theatres built were grand and extravagant. Specialist architects were brought in, and from the 1880s, architect Frank Matcham was arguably the most prolific.

While there’s no official record of how many theatres the architect worked on, it is estimated he designed at least 80 theatres, and renovated many more. Out of these 80 theatres, less than 20 still survive today. Take a look at a few of his most impressive works below!

Designed for Sir Oswald Stoll by Frank Matcham, the Coliseum first opened in 1904. Originally a variety theatre, the London Coliseum, with its capacity of 2,359, is the West End’s largest theatre. It is considered by many to be Matcham’s masterpiece. In 1968 the London Coliseum became home of Sadler’s Wells Opera, which later became the English National Opera.

In 2000 ENO began a major restoration project, in which much of the interior was returned to its original Edwardian style.

Want to discover the secrets of London’s largest theatre? We offer guided tours around the Coliseum. Why not book one today?

The London Palladium opened its doors to the public on Boxing Day in 1910 with a grand variety show. As was typical with the architect, Matcham built the Palladium on the site of another building, this time, the eighteenth century Argyll House. When it was built, the theatre’s massive seating capacity meant 3,435 patrons could enjoy the shows. Today, the capacity is significantly less, at 2,298.
Fun Fact: when it opened in 1910, the Palladium had its own internal telephone system, meaning patrons seated in the boxes could contact one another.
 
Since 1930, the London Palladium has been the main home to the annual Royal Variety show, a show which celebrated its 100th anniversary in 2012!

The Wakefield Opera House (as it was first known) was built in 1894 for a grand total of £13,000. The theatre is actually one of the smallest of Frank Matcham’s that survives today.
 
As with the majority of theatres built in the nineteenth century, the auditorium has seating on a number of different levels. This was to segregate the different social classes as per the norms of the time. This is also the reason why separate entrances, exits and routes around the theatre were built. It maintained the segregation between expensive ticket holders and those with cheaper tickets. Of course, nowadays all patrons can move around the building freely!

Built in 1903, Matcham’s Opera House in Buxton, Derbyshire was buzzing with ballet, Shakespeare, comedy and opera.

Butxon Opera House is perhaps best known these days for hosting the annual International Festival, celebrating opera and musical theatre. The festival began life as the Buxton Theatre Festival, back in 1937. It was this year that ENO founder, Lilian Baylis brought her Old Vic theatre company up to Derbyshire to take part. The festival ended with the closure of the building in the seventies, although was relaunched in 1979 alongside the restoration and reopening of the Opera House.

For this West End-style theatre, Frank Matcham collaborated once again with Sir Oswald Stoll. It was to be Matcham’s last great build and is still considered to be one of his masterpieces.
 
One of the Bristol Hippodrome’s most spectacular features was the water tank, built in front of the stage, allowing for aquatic entertainment. Unfortunately, the water tank no longer survives, although the dome in the roof which allows sunlight to be let into the auditorium does!  This unique rooftop feature might well be the only operating dome in the UK which functions this way.