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  • A contemporary setting
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A contemporary setting

Responding to the tyranny of totalitarian rule at the heart of Shakespeare’s play and the tension between two very different worlds, director Rory Kinnear chose to set the opera in an imagined but vivid contemporary world loosely inspired by ex-Soviet satellite states around the turn of the millennium. After the Second World War, many Eastern and Central European countries were occupied by the Soviet Union and remained under their control. Through forced coalition governments and the liquidation of opposition parties, Soviet communist systems were established in these Satellite States, with control of politics, police, radio, press and cultural output. By the 1990s, many states had gained back their independence from the Soviet Union through violent civil unrest and ethnic strife. But tensions between bordering countries with very different balances of power, lifestyle and economies intensified.

The neighbouring countries of Azerbaijan and Armenia provided a starting point for Kinnear’s imagined worlds of Sicilia and Bohemia: one nominally democratic state which has been ruled by the same powerful family for generations, next to a more rural, gentle and less economically prosperous country. The traditional male leadership of these countries, where women have little voice, resonate with Hermione’s plight. Kinnear also noted Shakespeare’s reference to Hermione as the daughter of the Russian empire.