It’s a funny fantasy
Iolanthe is one of librettist, W.S Gilbert, and composer, Sir Arthur Sullivan‘s many comic operas. The Victorian duo were brought together in 1875 by theatre manager, Richard D’Oyly Carte, whose Savoy Theatre was established as a showcase for their works.
Gilbert and Sullivan are perhaps best known for their operetta’s The Pirates of Penzance (1879) and The Mikado (1885). An operetta tends to be shorter than opera and mixes song with spoken dialogue, as well as impressive dance numbers. The famous duo favoured satirical operettas, and would often poke fun at the establishment or use wit and humour as a way of expressing political opinion.
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It was based on libretto, 'The Fairy Curate'
Based on W.S. Gilbert’s Bab Ballard, ‘The Fairy Curate’, Iolanthe is set 25 years after fairy Iolanthe committed the ultimate crime: marrying a mortal. Her half-human, half-fairy son now wishes to marry a mortal – a crime punishable by death – leaving Iolanthe and her fairy friends no choice but to challenge the law. It is a comedy – we promise!
Before its opening at the Savoy on the 25 November 1882, Iolanthe was known as Perola, although Gilbert ensured his production got the name he preferred in the end.
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It coined a term we all use today
The opening night itself was a success with the audience, even though they spent more time reading the libretto than watching the actual production. This was due the fact that, for the first time ever, the production was powered entirely by electricity. This illuminated the auditorium more than gas ever could, so audiences could actually see the libretto well enough to read it!
The principal fairies all wore incandescent star lights in their hair. The battery-powered dazzling lights, were made by the Swan United Electric Light Company, which was founded by Joseph Swan. The term ‘fairy lights’ has been used ever since.