An Introduction to The Barber of Seville

The Barber of Seville (in Italian Il barbiere di Siviglia) is an opera in four acts by Italian composer Gioachino Rossini.

Despite a disastrous opening night – the music teacher tripped over and had a prolonged nosebleed and an unexpected cat wandered on stage – it has gone on to be ‘perhaps the greatest of all comic operas’. Indeed, Rossini himself stayed at home for the second night, until he was awoken by the sound of applause and cheering and his opera has delighted audiences ever since.

The story follows the escapades of a barber, Figaro, as he assists Count Almaviva in prising the beautiful Rosina away from her lecherous guardian, Dr Bartolo.

The opera is based on a play called Le Barbier de Séville by French playwright Pierre Beaumarchais, this is the first of three plays about a character called Figaro.

His second play, Le Marriage de Figaro, was the inspiration for another opera – The Marriage of Figaro by  Austrian composer Wolfgang Amadeus Mozart. Rossini’s The Barber of Seville, therefore, is considered a prequel to the story of Mozart’s opera, although it was composed 30 years later.

★★★★ ‘Sheer delight’ The Guardian |
★★★★ ‘A national institution’ The Daily Telegraph

First staged in 1987, our production of The Barber of Seville opera was originally directed by titian of stage Sir Jonathan Miller.

This is an iconic production loved by our audiences for forty years. Watch the trailer to get an idea of what it’s all about

Sir Jonathan Miller had a more than 30-year relationship with ENO, where his productions have included Rigoletto,, The Mikado, Carmen, Der Rosenkavalier, La traviata, La bohème, and The Elixir of Love.

In addition to his international work an opera director, he also worked for theatres in London, Europe and the USA.

You’ve probably heard it before.

The Barber of Seville is full of great tunes that are all incredibly familiar.

The opera’s best known aria, ‘Largo al factotum’ (‘Make way for the servant who does everything’) is sung by Figaro, the title character, on his entrance to the stage.

This has also featured in a cartoon score, this time for the cartoon, Tom & Jerry. Figaro sings his own praises – ‘bravo Figaro, bravo, bravissimo!’ and shows how in demand he is!

Rossini’s overture is perfectly matched for a high-speed cartoon chase: Looney Tunes  released a classic cartoon episode called ‘The Rabbit of Seville’ created in 1950. After the usual chasing around, Bugs Bunny manages to give Elmer Fudd a clean shave to the soundtrack of Rossini’s overture.

If you liked this, you’ll love Mozart’s ‘sequel’ The Marriage of Figaro.