Adam Silverman lighting designer works in opera, theatre and dance.

Previously for ENO: The Rhinegold, The Valkyrie, Norma, Otello, Partenope, Powder Her Face, Julius Caesar, Billy Budd, A Midsummer Night’s Dream, Peter Grimes, Boris Godunov, The Rite of Spring, Lucia di Lammermoor, Jenůfa, The Turn of the Screw, The Makropulos Case and Siegfried. Notable engagements elsewhere: Michael Keegan-Dolan’s 1975, How To Be A Dancer in Seventy-two Thousand Easy Lessons, Nobodaddy, Mám, Swan Lake – Loch na hEala; Daniel Fish’s Elektra (West End); Donnacha Dennehy and Enda Walsh’s opera trilogy The First Child, The Second Violinist, The Last Hotel; Enda Walsh’s Safe House, Medicine, Grief is the Thing with Feathers, Arlington, Ballyturk, Misterman; Giant, Wozzeck, La clemenza di Tito, New Dark Age, Lohengrin, Andrea Chénier, Adriana Lecouvreur (ROH); Medusa, The Wind, Aeternum (Royal Ballet); Il turco in Italia (Festival d’Aix-en-Provence); Fedora, Don Carlos, Adriana Lecouvreur, Un ballo in maschera (Metropolitan Opera); La Calisto, I Masnadieri (La Scala); Machinal, Pygmalion, End Game (Old Vic); The Glass Menagerie (Broadway, Het Hout Amsterdam) and PJ Harvey’s Community of Hope (world tour).